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GREEN CREATURE

October 6, 2026 by Kaitlin Bellune

11″ x 14.5″ hand woven cotton and metallic yarn, sewn onto cotton upholstered wood $450

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Bishop’s work embraces the slowness and intimacy of an intuitive, material-driven process. Using a rigid heddle loom, she weaves colorful, patterned bands that branch into vine-like compositions. Each one growing, splitting, and stretching across organically shaped foundations, where they are hand-sewn into place. Her work draws parallels between natural overgrowth and human encroachment. She explores themes of reclamation and success through imagery reminiscent of vines overtaking abandoned structures or roads cutting through once untouched landscapes.

Bishop states “Color relationships are a foundational part of the weaving process, with each band exploring how contrasting hues and repeating patterns activate one another”. She shares “Rather than remaining confined to perpendicular lines and right angles, the bands grow into organic compositions, sometimes as simple as an oval, while others resemble intersecting roads, branching roots, or vines twisting and intertwining”.

Bishop holds a Bachelor of Arts in Painting, with a minor in Art History from the College of Charleston. A lifelong South Carolina artist, she has completed several residencies across the state, including with North Charleston, 701 Center for Contemporary Art in Columbia, the Gibbes Museum of Art, and, most recently, Texere in Oaxaca Mexico. In addition, her work has been featured in numerous solo and group exhibitions throughout South Carolina and across the country.

Filed Under: Kristy Bishop

BLUE SPARKLY CHECKERBOARD

October 6, 2026 by Kaitlin Bellune

9″ x 6″ Hand woven rayon and metallic viscose, sewn onto cotton upholstered wood board $375

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Bishop’s work embraces the slowness and intimacy of an intuitive, material-driven process. Using a rigid heddle loom, she weaves colorful, patterned bands that branch into vine-like compositions. Each one growing, splitting, and stretching across organically shaped foundations, where they are hand-sewn into place. Her work draws parallels between natural overgrowth and human encroachment. She explores themes of reclamation and success through imagery reminiscent of vines overtaking abandoned structures or roads cutting through once untouched landscapes.

Bishop states “Color relationships are a foundational part of the weaving process, with each band exploring how contrasting hues and repeating patterns activate one another”. She shares “Rather than remaining confined to perpendicular lines and right angles, the bands grow into organic compositions, sometimes as simple as an oval, while others resemble intersecting roads, branching roots, or vines twisting and intertwining”.

Bishop holds a Bachelor of Arts in Painting, with a minor in Art History from the College of Charleston. A lifelong South Carolina artist, she has completed several residencies across the state, including with North Charleston, 701 Center for Contemporary Art in Columbia, the Gibbes Museum of Art, and, most recently, Texere in Oaxaca Mexico. In addition, her work has been featured in numerous solo and group exhibitions throughout South Carolina and across the country.

Filed Under: Kristy Bishop

RING WEAVE 1

October 6, 2026 by Kaitlin Bellune

12″ x 8.75″ hand woven cotton and viscose, ceramic rings, sewn on cotton upholstered wood board $700

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Bishop’s work embraces the slowness and intimacy of an intuitive, material-driven process. Using a rigid heddle loom, she weaves colorful, patterned bands that branch into vine-like compositions. Each one growing, splitting, and stretching across organically shaped foundations, where they are hand-sewn into place. Her work draws parallels between natural overgrowth and human encroachment. She explores themes of reclamation and success through imagery reminiscent of vines overtaking abandoned structures or roads cutting through once untouched landscapes.

Bishop states “Color relationships are a foundational part of the weaving process, with each band exploring how contrasting hues and repeating patterns activate one another”. She shares “Rather than remaining confined to perpendicular lines and right angles, the bands grow into organic compositions, sometimes as simple as an oval, while others resemble intersecting roads, branching roots, or vines twisting and intertwining”.

Bishop holds a Bachelor of Arts in Painting, with a minor in Art History from the College of Charleston. A lifelong South Carolina artist, she has completed several residencies across the state, including with North Charleston, 701 Center for Contemporary Art in Columbia, the Gibbes Museum of Art, and, most recently, Texere in Oaxaca Mexico. In addition, her work has been featured in numerous solo and group exhibitions throughout South Carolina and across the country.

Filed Under: Kristy Bishop, Uncategorized

FLOWER HEAD INSECT

September 24, 2026 by Kaitlin Bellune

Sam Nikmaram

12.5″ x 8.25″ x 7.75″ papier-mâché $2,000

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Sam Nikmaram is an artist whose creative path began long before he formally studied sculpture at the Tehran University of Art. As a high school student immersed in graphic design, he developed an early curiosity about how visual stories are constructed. He later picked up photography as a deliberate exercise in learning how to see, training his eye to catch subtle details in everyday surroundings before turning his attention to drawing, theater stage design, puppet making, and urban public art. This wide-ranging background gave him a unique perspective on form, texture, and physical space, ultimately leading him to receive honors at the 5th Damounfar Painting Biennial in Iran.

At the center of Nikmaram’s practice is a deep commitment to nature and sustainability. Rather than turning to traditional, heavy materials, he actively chooses papier-mâché and discarded, disposable items to build his sculptures. To Nikmaram, these humble materials carry their own hidden histories and prior lives. By giving scrap paper and discarded objects a second life, he aligns his artistic technique with an eco-conscious philosophy. His sculptures transform everyday waste into delicate, organic forms that remind viewers of how closely human consumption is tied to the natural environment.

Nikmaram weaves ancient myth, social observation, and vivid imagination together in his work. He believes that folklore and modern reality are not separate worlds, but rather deeply connected layers of human experience. Living and working through the continuous challenges faced by contemporary artists, he uses storytelling as a sanctuary and a tool for reflection. His imaginative figures translate real-world struggles into poetic visual tales, offering collectors art that is both environmentally thoughtful and richly layered with meaning.

Filed Under: PARISA PROJECTS

CASTLE OF THE SUN

September 24, 2026 by Kaitlin Bellune

Sam Nikmaram

19.75″ x 16.5″ x 11.75″ papier-mâché $2500

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Sam Nikmaram is an artist whose creative path began long before he formally studied sculpture at the Tehran University of Art. As a high school student immersed in graphic design, he developed an early curiosity about how visual stories are constructed. He later picked up photography as a deliberate exercise in learning how to see, training his eye to catch subtle details in everyday surroundings before turning his attention to drawing, theater stage design, puppet making, and urban public art. This wide-ranging background gave him a unique perspective on form, texture, and physical space, ultimately leading him to receive honors at the 5th Damounfar Painting Biennial in Iran.

At the center of Nikmaram’s practice is a deep commitment to nature and sustainability. Rather than turning to traditional, heavy materials, he actively chooses papier-mâché and discarded, disposable items to build his sculptures. To Nikmaram, these humble materials carry their own hidden histories and prior lives. By giving scrap paper and discarded objects a second life, he aligns his artistic technique with an eco-conscious philosophy. His sculptures transform everyday waste into delicate, organic forms that remind viewers of how closely human consumption is tied to the natural environment.

Nikmaram weaves ancient myth, social observation, and vivid imagination together in his work. He believes that folklore and modern reality are not separate worlds, but rather deeply connected layers of human experience. Living and working through the continuous challenges faced by contemporary artists, he uses storytelling as a sanctuary and a tool for reflection. His imaginative figures translate real-world struggles into poetic visual tales, offering collectors art that is both environmentally thoughtful and richly layered with meaning.

Filed Under: PARISA PROJECTS

CHILDHOOD PRAIRIES 20

September 24, 2026 by Kaitlin Bellune

Ali Zakeri

15.75″ x 15.75″ acrylic on wood panel $2500

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Ali Zakeri’s artistic journey is rooted in resilience and a quiet, steadfast dedication to capturing the human experience. Born in a small village in Zanjan, Iran, his connection to drawing began early in childhood. As a teenager, he moved to Tehran to seek work, where observant teachers recognized his natural talent and guided him toward formal artistic training at the Boys’ Fine Arts High School. His education was later interrupted by mandatory military service, yet his resolve remained intact. He went on to earn his undergraduate degree in painting from Tehran University and his master’s degree from Tarbiat Modares University. To support his creative practice, Zakeri worked for over a decade as a graphic designer for Iran’s national automobile manufacturer, Iran Khodro, while simultaneously building a career as a university professor who shaped generations of young Iranian artists.

The core of Zakeri’s canvas centers on human emotion, endurance, and physical vulnerability. He is widely recognized for his intense series, The Eliminated or The Sons of God, which depicts dramatic boxing matches. By stripping away the crowd and glamor of the sport, Zakeri transforms the boxing ring into a metaphor for the universal human struggle for survival against adversity. His energetic brushstrokes reflect the turmoil, isolation, and endurance that many in his homeland understand deeply through times of profound personal and collective challenge. In contrast to these heavy emotional themes, Zakeri balances his work through quiet escapes into open landscapes, describing nature as a space of profound silence where he can reflect. In a lighter detail that surprises many, he finds his greatest daily inspiration under warm, bright, sunny skies, offering a gentle counterweight to the dramatic shadows in his art.

Today, Zakeri stands as a vital figure in contemporary Iranian art whose message crosses borders. His work has gained strong international momentum, featured prominently at major global platforms including Art Expo Chicago, Untitled Miami, and showcases across Paris, Seoul, and Busan. Continuing to live, paint, and teach through a rapidly changing world in Iran, Zakeri gives voice to those navigating adversity. For gallery visitors and collectors, his paintings offer much more than dynamic technique; they provide an authentic glimpse into the strength of the human spirit when tested by the world around it.

Filed Under: PARISA PROJECTS

CHILDHOOD PRAIRIES 19

September 24, 2026 by Kaitlin Bellune

Ali Zakeri

15.75″ x 15.75″ acrylic on canvas $2500

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Ali Zakeri’s artistic journey is rooted in resilience and a quiet, steadfast dedication to capturing the human experience. Born in a small village in Zanjan, Iran, his connection to drawing began early in childhood. As a teenager, he moved to Tehran to seek work, where observant teachers recognized his natural talent and guided him toward formal artistic training at the Boys’ Fine Arts High School. His education was later interrupted by mandatory military service, yet his resolve remained intact. He went on to earn his undergraduate degree in painting from Tehran University and his master’s degree from Tarbiat Modares University. To support his creative practice, Zakeri worked for over a decade as a graphic designer for Iran’s national automobile manufacturer, Iran Khodro, while simultaneously building a career as a university professor who shaped generations of young Iranian artists.

The core of Zakeri’s canvas centers on human emotion, endurance, and physical vulnerability. He is widely recognized for his intense series, The Eliminated or The Sons of God, which depicts dramatic boxing matches. By stripping away the crowd and glamor of the sport, Zakeri transforms the boxing ring into a metaphor for the universal human struggle for survival against adversity. His energetic brushstrokes reflect the turmoil, isolation, and endurance that many in his homeland understand deeply through times of profound personal and collective challenge. In contrast to these heavy emotional themes, Zakeri balances his work through quiet escapes into open landscapes, describing nature as a space of profound silence where he can reflect. In a lighter detail that surprises many, he finds his greatest daily inspiration under warm, bright, sunny skies, offering a gentle counterweight to the dramatic shadows in his art.

Today, Zakeri stands as a vital figure in contemporary Iranian art whose message crosses borders. His work has gained strong international momentum, featured prominently at major global platforms including Art Expo Chicago, Untitled Miami, and showcases across Paris, Seoul, and Busan. Continuing to live, paint, and teach through a rapidly changing world in Iran, Zakeri gives voice to those navigating adversity. For gallery visitors and collectors, his paintings offer much more than dynamic technique; they provide an authentic glimpse into the strength of the human spirit when tested by the world around it.

Filed Under: PARISA PROJECTS

CHILDHOOD PRAIRIES 51

September 24, 2026 by Kaitlin Bellune

Ali Zakeri

19.75″ x 19.75″ acrylic on canvas $3500

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Ali Zakeri’s artistic journey is rooted in resilience and a quiet, steadfast dedication to capturing the human experience. Born in a small village in Zanjan, Iran, his connection to drawing began early in childhood. As a teenager, he moved to Tehran to seek work, where observant teachers recognized his natural talent and guided him toward formal artistic training at the Boys’ Fine Arts High School. His education was later interrupted by mandatory military service, yet his resolve remained intact. He went on to earn his undergraduate degree in painting from Tehran University and his master’s degree from Tarbiat Modares University. To support his creative practice, Zakeri worked for over a decade as a graphic designer for Iran’s national automobile manufacturer, Iran Khodro, while simultaneously building a career as a university professor who shaped generations of young Iranian artists.

The core of Zakeri’s canvas centers on human emotion, endurance, and physical vulnerability. He is widely recognized for his intense series, The Eliminated or The Sons of God, which depicts dramatic boxing matches. By stripping away the crowd and glamor of the sport, Zakeri transforms the boxing ring into a metaphor for the universal human struggle for survival against adversity. His energetic brushstrokes reflect the turmoil, isolation, and endurance that many in his homeland understand deeply through times of profound personal and collective challenge. In contrast to these heavy emotional themes, Zakeri balances his work through quiet escapes into open landscapes, describing nature as a space of profound silence where he can reflect. In a lighter detail that surprises many, he finds his greatest daily inspiration under warm, bright, sunny skies, offering a gentle counterweight to the dramatic shadows in his art.

Today, Zakeri stands as a vital figure in contemporary Iranian art whose message crosses borders. His work has gained strong international momentum, featured prominently at major global platforms including Art Expo Chicago, Untitled Miami, and showcases across Paris, Seoul, and Busan. Continuing to live, paint, and teach through a rapidly changing world in Iran, Zakeri gives voice to those navigating adversity. For gallery visitors and collectors, his paintings offer much more than dynamic technique; they provide an authentic glimpse into the strength of the human spirit when tested by the world around it.

Filed Under: PARISA PROJECTS

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