Kaitlin Bellune

8″ x 8″ x 2″ fabricated steel and gold leaf, sold as pair $2,200

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Artist Name *Artists— Andrew Hayes— Bill Killebrew— Christina Brinkman— Demond Melancon— James Durkin— Jamie Powell— Jonathan Rypkema— Katrine Hildebrant— Kristy Bishop— Linda Fantuzzo— Linda Schmidt— Manning Williams— PARISA PROJECTS— Sherry Tseng Hill— Stephanie Dowda DeMer— Tong Zhangtest-categoryUncategorized

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Andrew Hayes, born in Tucson, AZ studied sculpture at Northern Arizona University until he left school to work in the industrial welding trade. In the fall of 2014 Andrew moved to Penland School of Craft as an artist in residence where he explored the formal relationship between paper and steel. In early 2018 Andrew set up a studio in Asheville, NC where he creates sculpture exhibited internationally. His work is included in a number of collections including Yale Art Museum, Black Mountain College, and Wingate University.

Hayes states, “I work with book paper and steel, two materials with very different meanings in the context of our daily lives. The book is an object of education, growth, and escape. Steel is trickier to see and often invisible: its forms make up so many primary structures in our constructed environment. Using book paper and steel, I explore these meanings and find a curious harmony between these materials and the flexibility, history, mass, and density both possess”.

“I cut pages from old discarded books, removing them from their binding and working with the unbound hunks of paper to explore and respond to the possible, new sculptural shapes the material might take. At some point I introduce metal to the process, giving structure and support to the softer sculptural form of the loose pages. Bringing steel — a material of industry and architecture — to the quiet, contemplative realm of the book excites me. Bracing book paper with steel becomes graceful, its subtle colors and surface amplified: I rediscover the material’s more poetic possibilities. There is flexibility, fluidity, and freedom for me here as an artist. Bound together, book paper and steel make something new and unified. The book takes another form, another mysterious life, off the shelf”.

13″ x 4″ x 3.5″ fabricated steel and book paper $2500

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Name *

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Artist Name *Artists— Andrew Hayes— Bill Killebrew— Christina Brinkman— Demond Melancon— James Durkin— Jamie Powell— Jonathan Rypkema— Katrine Hildebrant— Kristy Bishop— Linda Fantuzzo— Linda Schmidt— Manning Williams— PARISA PROJECTS— Sherry Tseng Hill— Stephanie Dowda DeMer— Tong Zhangtest-categoryUncategorized

Title of Piece *

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Andrew Hayes, born in Tucson, AZ studied sculpture at Northern Arizona University until he left school to work in the industrial welding trade. In the fall of 2014 Andrew moved to Penland School of Craft as an artist in residence where he explored the formal relationship between paper and steel. In early 2018 Andrew set up a studio in Asheville, NC where he creates sculpture exhibited internationally. His work is included in a number of collections including Yale Art Museum, Black Mountain College, and Wingate University.

Hayes states, “I work with book paper and steel, two materials with very different meanings in the context of our daily lives. The book is an object of education, growth, and escape. Steel is trickier to see and often invisible: its forms make up so many primary structures in our constructed environment. Using book paper and steel, I explore these meanings and find a curious harmony between these materials and the flexibility, history, mass, and density both possess”.

“I cut pages from old discarded books, removing them from their binding and working with the unbound hunks of paper to explore and respond to the possible, new sculptural shapes the material might take. At some point I introduce metal to the process, giving structure and support to the softer sculptural form of the loose pages. Bringing steel — a material of industry and architecture — to the quiet, contemplative realm of the book excites me. Bracing book paper with steel becomes graceful, its subtle colors and surface amplified: I rediscover the material’s more poetic possibilities. There is flexibility, fluidity, and freedom for me here as an artist. Bound together, book paper and steel make something new and unified. The book takes another form, another mysterious life, off the shelf”.

10″ x 8″ x 4.5″ fabricated steel, book paper, and gold leaf $2600

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Name *

Email *

Artist Name *Artists— Andrew Hayes— Bill Killebrew— Christina Brinkman— Demond Melancon— James Durkin— Jamie Powell— Jonathan Rypkema— Katrine Hildebrant— Kristy Bishop— Linda Fantuzzo— Linda Schmidt— Manning Williams— PARISA PROJECTS— Sherry Tseng Hill— Stephanie Dowda DeMer— Tong Zhangtest-categoryUncategorized

Title of Piece *

Message (optional)

Submit

Andrew Hayes, born in Tucson, AZ studied sculpture at Northern Arizona University until he left school to work in the industrial welding trade. In the fall of 2014 Andrew moved to Penland School of Craft as an artist in residence where he explored the formal relationship between paper and steel. In early 2018 Andrew set up a studio in Asheville, NC where he creates sculpture exhibited internationally. His work is included in a number of collections including Yale Art Museum, Black Mountain College, and Wingate University.

Hayes states, “I work with book paper and steel, two materials with very different meanings in the context of our daily lives. The book is an object of education, growth, and escape. Steel is trickier to see and often invisible: its forms make up so many primary structures in our constructed environment. Using book paper and steel, I explore these meanings and find a curious harmony between these materials and the flexibility, history, mass, and density both possess”.

“I cut pages from old discarded books, removing them from their binding and working with the unbound hunks of paper to explore and respond to the possible, new sculptural shapes the material might take. At some point I introduce metal to the process, giving structure and support to the softer sculptural form of the loose pages. Bringing steel — a material of industry and architecture — to the quiet, contemplative realm of the book excites me. Bracing book paper with steel becomes graceful, its subtle colors and surface amplified: I rediscover the material’s more poetic possibilities. There is flexibility, fluidity, and freedom for me here as an artist. Bound together, book paper and steel make something new and unified. The book takes another form, another mysterious life, off the shelf”.

22″ x 14″ x 4″ fabricated steel and book paper $3800

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Name *

Email *

Artist Name *Artists— Andrew Hayes— Bill Killebrew— Christina Brinkman— Demond Melancon— James Durkin— Jamie Powell— Jonathan Rypkema— Katrine Hildebrant— Kristy Bishop— Linda Fantuzzo— Linda Schmidt— Manning Williams— PARISA PROJECTS— Sherry Tseng Hill— Stephanie Dowda DeMer— Tong Zhangtest-categoryUncategorized

Title of Piece *

Message (optional)

Submit

Andrew Hayes, born in Tucson, AZ studied sculpture at Northern Arizona University until he left school to work in the industrial welding trade. In the fall of 2014 Andrew moved to Penland School of Craft as an artist in residence where he explored the formal relationship between paper and steel. In early 2018 Andrew set up a studio in Asheville, NC where he creates sculpture exhibited internationally. His work is included in a number of collections including Yale Art Museum, Black Mountain College, and Wingate University.

Hayes states, “I work with book paper and steel, two materials with very different meanings in the context of our daily lives. The book is an object of education, growth, and escape. Steel is trickier to see and often invisible: its forms make up so many primary structures in our constructed environment. Using book paper and steel, I explore these meanings and find a curious harmony between these materials and the flexibility, history, mass, and density both possess”.

“I cut pages from old discarded books, removing them from their binding and working with the unbound hunks of paper to explore and respond to the possible, new sculptural shapes the material might take. At some point I introduce metal to the process, giving structure and support to the softer sculptural form of the loose pages. Bringing steel — a material of industry and architecture — to the quiet, contemplative realm of the book excites me. Bracing book paper with steel becomes graceful, its subtle colors and surface amplified: I rediscover the material’s more poetic possibilities. There is flexibility, fluidity, and freedom for me here as an artist. Bound together, book paper and steel make something new and unified. The book takes another form, another mysterious life, off the shelf”.

10″ x 14″ x 4″ fabricated steel, book paper, and paint $2800

Please enable JavaScript in your browser to complete this form.

Name *

Email *

Artist Name *Artists— Andrew Hayes— Bill Killebrew— Christina Brinkman— Demond Melancon— James Durkin— Jamie Powell— Jonathan Rypkema— Katrine Hildebrant— Kristy Bishop— Linda Fantuzzo— Linda Schmidt— Manning Williams— PARISA PROJECTS— Sherry Tseng Hill— Stephanie Dowda DeMer— Tong Zhangtest-categoryUncategorized

Title of Piece *

Message (optional)

Submit

Andrew Hayes, born in Tucson, AZ studied sculpture at Northern Arizona University until he left school to work in the industrial welding trade. In the fall of 2014 Andrew moved to Penland School of Craft as an artist in residence where he explored the formal relationship between paper and steel. In early 2018 Andrew set up a studio in Asheville, NC where he creates sculpture exhibited internationally. His work is included in a number of collections including Yale Art Museum, Black Mountain College, and Wingate University.

Hayes states, “I work with book paper and steel, two materials with very different meanings in the context of our daily lives. The book is an object of education, growth, and escape. Steel is trickier to see and often invisible: its forms make up so many primary structures in our constructed environment. Using book paper and steel, I explore these meanings and find a curious harmony between these materials and the flexibility, history, mass, and density both possess”.

“I cut pages from old discarded books, removing them from their binding and working with the unbound hunks of paper to explore and respond to the possible, new sculptural shapes the material might take. At some point I introduce metal to the process, giving structure and support to the softer sculptural form of the loose pages. Bringing steel — a material of industry and architecture — to the quiet, contemplative realm of the book excites me. Bracing book paper with steel becomes graceful, its subtle colors and surface amplified: I rediscover the material’s more poetic possibilities. There is flexibility, fluidity, and freedom for me here as an artist. Bound together, book paper and steel make something new and unified. The book takes another form, another mysterious life, off the shelf”.

11″ x 9″ x 5″ fabricated steel and book paper $2700

Please enable JavaScript in your browser to complete this form.

Name *

Email *

Artist Name *Artists— Andrew Hayes— Bill Killebrew— Christina Brinkman— Demond Melancon— James Durkin— Jamie Powell— Jonathan Rypkema— Katrine Hildebrant— Kristy Bishop— Linda Fantuzzo— Linda Schmidt— Manning Williams— PARISA PROJECTS— Sherry Tseng Hill— Stephanie Dowda DeMer— Tong Zhangtest-categoryUncategorized

Title of Piece *

Message (optional)

Submit

Andrew Hayes, born in Tucson, AZ studied sculpture at Northern Arizona University until he left school to work in the industrial welding trade. In the fall of 2014 Andrew moved to Penland School of Craft as an artist in residence where he explored the formal relationship between paper and steel. In early 2018 Andrew set up a studio in Asheville, NC where he creates sculpture exhibited internationally. His work is included in a number of collections including Yale Art Museum, Black Mountain College, and Wingate University.

Hayes states, “I work with book paper and steel, two materials with very different meanings in the context of our daily lives. The book is an object of education, growth, and escape. Steel is trickier to see and often invisible: its forms make up so many primary structures in our constructed environment. Using book paper and steel, I explore these meanings and find a curious harmony between these materials and the flexibility, history, mass, and density both possess”.

“I cut pages from old discarded books, removing them from their binding and working with the unbound hunks of paper to explore and respond to the possible, new sculptural shapes the material might take. At some point I introduce metal to the process, giving structure and support to the softer sculptural form of the loose pages. Bringing steel — a material of industry and architecture — to the quiet, contemplative realm of the book excites me. Bracing book paper with steel becomes graceful, its subtle colors and surface amplified: I rediscover the material’s more poetic possibilities. There is flexibility, fluidity, and freedom for me here as an artist. Bound together, book paper and steel make something new and unified. The book takes another form, another mysterious life, off the shelf”.