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TWO TRUCKS

December 2, 2025 by Kaitlin Bellune

40″ x 60″ acrylic on canvas c. 1980 $40,000

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Manning Williams (1939–2012)

Manning Williams’s paintings are rooted in the history, traditions, and terrain of the South Carolina Lowcountry. A Charleston native and lifelong resident, he received his B.S. from the College of Charleston before pursuing graduate work at the Pennsylvania Academy of Fine Arts. After studying at the Academy, he returned to his hometown of Charleston. His highly personal approach to realist painting emphasized storytelling and was fueled by an interest in portraying subjects found on the periphery of the city and along the barrier islands. Williams embraced the common, the everyday, and the factual rather than picturesque beauty.

Western subjects also commanded Williams’s attention, and during the later years of his career, his concern with narrative was expressed in a more abstract style. Later in his career, Williams stated: “I consider myself a narrative painter. Yet times have changed the way we see the world. TV, movies, and the Internet pour out information faster than we could have imagined only a few years back. My work today is about finding a new way to narrate our times.”

Manning Williams’s work has been exhibited nationally and internationally, with solo shows in Charleston, New Orleans, Washington, at the University of Pennsylvania Museum of Archaeology and Art, and the Greenville Museum of Art. Group shows featuring his work included the “Second Story Show” at Piccolo Spoleto in 2002, “100 Years/100 Artists, Views From the 20th Century” at the South Carolina State Museum in 1999–2000, and “Old South, New South” at Winthrop College in 1995. In 2004, Williams and Linda Fantuzzo had a duo show at the Gibbes Museum of Art. In 2008, Williams had a solo show at the Florence Museum. Museum retrospectives were held in 2021 at the Gibbes Museum of Art and the Morris Museum.

Williams was named a 1991 Fellow by the South Carolina Arts Commission in recognition of his contributions to the visual arts in the state. His most well-known commissions were displayed at the Charleston Airport, East Cooper Hospital, and the Gaillard Auditorium. His work is included in public and corporate collections, among them the South Carolina Arts Commission, R.J. Reynolds Corporation, Citizens and Southern National Bank, Post & Courier Publishing Company, Kiawah Resort Association, Greenville County Museum, South Carolina State Museum, the Gibbes Museum of Art, and the Telfair Museum.

Filed Under: Manning Williams

FED BY THE DRAWS

October 2, 2025 by Kaitlin Bellune

54″ x 120″ triptych oil on canvas $18,000

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Bill Killebrew (b. 1960) is a Nashville native with a BFA in painting and printmaking from Middle Tennessee State University. Killebrew’s paintings capture what grabs his attention. Each elevates something commonplace or seemingly unimportant, making it the anchor of his figurative works. Influenced by Edouard Vuillard and Giorgio Morandi, Killebrew has been painting what he sees for decades to create what he refers to as “non-objective art.” Killebrew lets elements of light, an activity or event guide his painting process. The accumulation of thick paint from multiple brush strokes is a response to what is happening on the canvas at that time.

Killebrew was born in the south but moved around a lot as a child. He says that “the quality defined as Southern has become metaphorical and I am left with my upbringing by well-meaning family and an abstract sense of belonging to a place and time that no longer seems to exist.

“Each of my pictures is a representation of this concept, time and place as a metaphor. All my painting is abstract. I was raised by an Expressionist and even while becoming a painter of things, I have gravitated toward and aesthetic allowing for the introduction of the picture as a natural object in its own right, rather than a description of nature. Any significance achieved in the course of painting the picture is a significance drawn from memory”

Killebrew returned to his southern roots and currently lives in Whites Creek, Tennessee. He has received numerous awards for his artwork and has had over a dozen solo exhibitions in his career. His work is in public and private collections throughout the Southeastern United States. When he is not spending his time painting, Killebrew is also an accomplished guitarist and sailor.

Filed Under: Bill Killebrew

VESSEL II

September 30, 2025 by Kaitlin Bellune

14″ D x 6.5″ H porcelain $2000

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Christina Brinkman

Christina Brinkman has been an artist her entire life. She earned her degree from the Rochester Institute of Technology and pursued further studies at the University of Rochester’s Creative Workshop, among other institutions. She began her career as a painter and printmaker, specializing in etchings and mixed media prints. Widely exhibited both nationally and regionally, she has participated in numerous solo and juried group shows, earning many awards. Her work is part of public, private, corporate, and museum collections.

In 1984, she published a series of die-cut cards, which quickly gained popularity. Under the name Parrett Paper, these unique designs were sold and distributed worldwide in galleries, museums, and high-end stationery stores.

Her work has been recognized by the Museum of Modern Art, which selected two of her card designs and commissioned her to create an umbrella and a mobile. In addition to her contributions to MoMA, she has designed works in both fine and graphic arts for museums, businesses, book jackets, and institutions.

After selling her card company, she returned her focus to fine art, concentrating on porcelain ceramic sculpture and large porcelain vessels. She has worked in this medium for over 20 years, earning recognition in national exhibitions and winning multiple awards. Her ceramic pieces are part of prestigious museum collections, including the Mint Museum in Charlotte, NC, and the Memorial Art Gallery in Rochester, NY.

Brinkman writes:

I am a maker

Guided by touch,

engagement with the material.

Nature, memory and organic form

bring direction and orientation

a celebration of process and rythm.

It tries to be sympathetic with the natural world.

It is usually white,

the absence of color

the sum of all colors.

White reflects

simplicity,

purity,

nakedness,

lightness,

death,

calm

or stillness.

the simple pleasure of makiing

it is spare…

Without the distraction of color,

one considers the outline,

the interior and exterior space,

the proportions and relationships of the form.

The shadows and space around

become an integral part of the work,

the light reflecting surfaces and edges,

the energy of what is and isn’t there.

Making is connecting

the telling of slow stories.

I am never certain of its destination

but

it is often within

the boundaries of the vessel form.

Sculpture

tries to sneak in.

(and it wants to take over).

Filed Under: Christina Brinkman

EARLY LIGHT ON THE STREET

September 25, 2025 by Kaitlin Bellune

24″ x 18″ oil on canvas $2500

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Bill Killebrew (b. 1960) is a Nashville native with a BFA in painting and printmaking from Middle Tennessee State University. Killebrew’s paintings capture what grabs his attention. Each elevates something commonplace or seemingly unimportant, making it the anchor of his figurative works. Influenced by Edouard Vuillard and Giorgio Morandi, Killebrew has been painting what he sees for decades to create what he refers to as “non-objective art.” Killebrew lets elements of light, an activity or event guide his painting process. The accumulation of thick paint from multiple brush strokes is a response to what is happening on the canvas at that time.

Killebrew was born in the south but moved around a lot as a child. He says that “the quality defined as Southern has become metaphorical and I am left with my upbringing by well-meaning family and an abstract sense of belonging to a place and time that no longer seems to exist.

“Each of my pictures is a representation of this concept, time and place as a metaphor. All my painting is abstract. I was raised by an Expressionist and even while becoming a painter of things, I have gravitated toward and aesthetic allowing for the introduction of the picture as a natural object in its own right, rather than a description of nature. Any significance achieved in the course of painting the picture is a significance drawn from memory”

Killebrew returned to his southern roots and currently lives in Whites Creek, Tennessee. He has received numerous awards for his artwork and has had over a dozen solo exhibitions in his career. His work is in public and private collections throughout the Southeastern United States. When he is not spending his time painting, Killebrew is also an accomplished guitarist and sailor.

Filed Under: Bill Killebrew

RACHEL ON THE PIANO

September 25, 2025 by Kaitlin Bellune

19″ x 25″ oil on canvas $3000

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Manning Williams (1939–2012)

Manning Williams’s paintings are rooted in the history, traditions, and terrain of the South Carolina Lowcountry. A Charleston native and lifelong resident, he received his B.S. from the College of Charleston before pursuing graduate work at the Pennsylvania Academy of Fine Arts. After studying at the Academy, he returned to his hometown of Charleston. His highly personal approach to realist painting emphasized storytelling and was fueled by an interest in portraying subjects found on the periphery of the city and along the barrier islands. Williams embraced the common, the everyday, and the factual rather than picturesque beauty.

Western subjects also commanded Williams’s attention, and during the later years of his career, his concern with narrative was expressed in a more abstract style. Later in his career, Williams stated: “I consider myself a narrative painter. Yet times have changed the way we see the world. TV, movies, and the Internet pour out information faster than we could have imagined only a few years back. My work today is about finding a new way to narrate our times.”

Manning Williams’s work has been exhibited nationally and internationally, with solo shows in Charleston, New Orleans, Washington, at the University of Pennsylvania Museum of Archaeology and Art, and the Greenville Museum of Art. Group shows featuring his work included the “Second Story Show” at Piccolo Spoleto in 2002, “100 Years/100 Artists, Views From the 20th Century” at the South Carolina State Museum in 1999–2000, and “Old South, New South” at Winthrop College in 1995. In 2004, Williams and Linda Fantuzzo had a duo show at the Gibbes Museum of Art. In 2008, Williams had a solo show at the Florence Museum. Museum retrospectives were held in 2021 at the Gibbes Museum of Art and the Morris Museum.

Williams was named a 1991 Fellow by the South Carolina Arts Commission in recognition of his contributions to the visual arts in the state. His most well-known commissions were displayed at the Charleston Airport, East Cooper Hospital, and the Gaillard Auditorium. His work is included in public and corporate collections, among them the South Carolina Arts Commission, R.J. Reynolds Corporation, Citizens and Southern National Bank, Post & Courier Publishing Company, Kiawah Resort Association, Greenville County Museum, South Carolina State Museum, the Gibbes Museum of Art, and the Telfair Museum.

Filed Under: Bill Killebrew

JEAN AT THE PIANO

September 25, 2025 by Kaitlin Bellune

19″ x 12″ oil on canvas $1500

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Bill Killebrew (b. 1960) is a Nashville native with a BFA in painting and printmaking from Middle Tennessee State University. Killebrew’s paintings capture what grabs his attention. Each elevates something commonplace or seemingly unimportant, making it the anchor of his figurative works. Influenced by Edouard Vuillard and Giorgio Morandi, Killebrew has been painting what he sees for decades to create what he refers to as “non-objective art.” Killebrew lets elements of light, an activity or event guide his painting process. The accumulation of thick paint from multiple brush strokes is a response to what is happening on the canvas at that time.

Killebrew was born in the south but moved around a lot as a child. He says that “the quality defined as Southern has become metaphorical and I am left with my upbringing by well-meaning family and an abstract sense of belonging to a place and time that no longer seems to exist.

“Each of my pictures is a representation of this concept, time and place as a metaphor. All my painting is abstract. I was raised by an Expressionist and even while becoming a painter of things, I have gravitated toward and aesthetic allowing for the introduction of the picture as a natural object in its own right, rather than a description of nature. Any significance achieved in the course of painting the picture is a significance drawn from memory”

Killebrew returned to his southern roots and currently lives in Whites Creek, Tennessee. He has received numerous awards for his artwork and has had over a dozen solo exhibitions in his career. His work is in public and private collections throughout the Southeastern United States. When he is not spending his time painting, Killebrew is also an accomplished guitarist and sailor.

Filed Under: Bill Killebrew

PINCUSHION

September 25, 2025 by Kaitlin Bellune

5.5″ W x 3.5″ D x 6.5″ H porcelain $1200

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Christina Brinkman

Christina Brinkman has been an artist her entire life. She earned her degree from the Rochester Institute of Technology and pursued further studies at the University of Rochester’s Creative Workshop, among other institutions. She began her career as a painter and printmaker, specializing in etchings and mixed media prints. Widely exhibited both nationally and regionally, she has participated in numerous solo and juried group shows, earning many awards. Her work is part of public, private, corporate, and museum collections.

In 1984, she published a series of die-cut cards, which quickly gained popularity. Under the name Parrett Paper, these unique designs were sold and distributed worldwide in galleries, museums, and high-end stationery stores.

Her work has been recognized by the Museum of Modern Art, which selected two of her card designs and commissioned her to create an umbrella and a mobile. In addition to her contributions to MoMA, she has designed works in both fine and graphic arts for museums, businesses, book jackets, and institutions.

After selling her card company, she returned her focus to fine art, concentrating on porcelain ceramic sculpture and large porcelain vessels. She has worked in this medium for over 20 years, earning recognition in national exhibitions and winning multiple awards. Her ceramic pieces are part of prestigious museum collections, including the Mint Museum in Charlotte, NC, and the Memorial Art Gallery in Rochester, NY.

Brinkman writes:

I am a maker

Guided by touch,

engagement with the material.

Nature, memory and organic form

bring direction and orientation

a celebration of process and rythm.

It tries to be sympathetic with the natural world.

It is usually white,

the absence of color

the sum of all colors.

White reflects

simplicity,

purity,

nakedness,

lightness,

death,

calm

or stillness.

the simple pleasure of makiing

it is spare…

Without the distraction of color,

one considers the outline,

the interior and exterior space,

the proportions and relationships of the form.

The shadows and space around

become an integral part of the work,

the light reflecting surfaces and edges,

the energy of what is and isn’t there.

Making is connecting

the telling of slow stories.

I am never certain of its destination

but

it is often within

the boundaries of the vessel form.

Sculpture

tries to sneak in.

(and it wants to take over).

Filed Under: Christina Brinkman

MAN IN CANOE, WHITE OUTLINED FIGURES

September 20, 2025 by Kaitlin Bellune

4″ x 6″ ink on paper $500

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Manning Williams (1939–2012)

Manning Williams’s paintings are rooted in the history, traditions, and terrain of the South Carolina Lowcountry. A Charleston native and lifelong resident, he received his B.S. from the College of Charleston before pursuing graduate work at the Pennsylvania Academy of Fine Arts. After studying at the Academy, he returned to his hometown of Charleston. His highly personal approach to realist painting emphasized storytelling and was fueled by an interest in portraying subjects found on the periphery of the city and along the barrier islands. Williams embraced the common, the everyday, and the factual rather than picturesque beauty.

Western subjects also commanded Williams’s attention, and during the later years of his career, his concern with narrative was expressed in a more abstract style. Later in his career, Williams stated: “I consider myself a narrative painter. Yet times have changed the way we see the world. TV, movies, and the Internet pour out information faster than we could have imagined only a few years back. My work today is about finding a new way to narrate our times.”

Manning Williams’s work has been exhibited nationally and internationally, with solo shows in Charleston, New Orleans, Washington, at the University of Pennsylvania Museum of Archaeology and Art, and the Greenville Museum of Art. Group shows featuring his work included the “Second Story Show” at Piccolo Spoleto in 2002, “100 Years/100 Artists, Views From the 20th Century” at the South Carolina State Museum in 1999–2000, and “Old South, New South” at Winthrop College in 1995. In 2004, Williams and Linda Fantuzzo had a duo show at the Gibbes Museum of Art. In 2008, Williams had a solo show at the Florence Museum. Museum retrospectives were held in 2021 at the Gibbes Museum of Art and the Morris Museum.

Williams was named a 1991 Fellow by the South Carolina Arts Commission in recognition of his contributions to the visual arts in the state. His most well-known commissions were displayed at the Charleston Airport, East Cooper Hospital, and the Gaillard Auditorium. His work is included in public and corporate collections, among them the South Carolina Arts Commission, R.J. Reynolds Corporation, Citizens and Southern National Bank, Post & Courier Publishing Company, Kiawah Resort Association, Greenville County Museum, South Carolina State Museum, the Gibbes Museum of Art, and the Telfair Museum.

Filed Under: Manning Williams

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